SLICE OF LIFE Remembering Roger Ebert and Jane Kleinman
Featured
April 7, 2013

Remembering Roger Ebert and Jane Kleinman

THE TRAIL - BATTERSBY
Featured
March 29, 2013

A Day (and Night) in the Life of Brooklyn’s Most Celebrated Open Kitchen

TALKING SHOP - Author Charlotte Druckman
Featured
October 22, 2012

The First of a Multi-Part Conversation with the Author of the new book Skirt Steak

The View from Chef Dave Mahler's Old Kitchen at La Cusinga (photo courtesy David Mahler)
Featured
September 28, 2012

Guest Poster David Mahler Shares the Story of Getting a Book Done .. . the Hard Way

The Toqueland Interview - Atera's Matthew Lightner
Featured
September 27, 2012

One of Today’s Rising Chefs on Hating High School, the Challenges of an Open Kitchen, and the Meaning of a Dining “Experience”

Charlie Trotter, at his home in Chicago (photo copyright Andrew Friedman)
Featured
August 16, 2012

On the Eve of His Restaurant’s 25th Anniversary (and Imminent Closing), a Conversation with One of America’s Pioneering Chefs

  • SLICE OF LIFE Remembering Roger Ebert and Jane Kleinman
  • THE TRAIL - BATTERSBY
  • TALKING SHOP - Author Charlotte Druckman
  • The View from Chef Dave Mahler's Old Kitchen at La Cusinga (photo courtesy David Mahler)
  • The Toqueland Interview - Atera's Matthew Lightner
  • Charlie Trotter, at his home in Chicago (photo copyright Andrew Friedman)

Toqueland Wire

    Jennifer Petrusky, a Commis at the 2008 Bocuse d’Or USA, Returns as a Chef Candidate

    [Between now and the Bocuse d’Or USA finals this Saturday, February 6, Toqueland will profile as many of the finalists as possible.]

    Jennifer Petrusky(photo courtesy Charlie Trotter's)


    Jennifer Petrusky will be making a return to Bocuse d’Or action this weekend.  Petrusky, who was commis to chef candidate Michael Rotondo, of Restaurant Charlie in Las Vegas, at the 2008 Bocuse d’Or USA, will be competing this year as a candidate, with James Caputo, a cook from Charlie Trotter’s, in the role of commis.

    Rotondo and Petrusky placed third in the 2008 event, nabbing the bronze medal, and Rotondo was also awarded a sort-of “most likely to succeed” prize, identifying him as a potential future Bocuse d’Or USA candidate.  At the time, I was working on my book Knives at Dawn, and was able to watch the teams from a judge’s-eye perspective—standing right in the competition kitchen windows.  Petrusky was a rock solid commis, an impression that I know many judges shared, so it will be interesting to see how she fares in the hot seat.

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    Published in Bocuse d'Or, Chef Profiles

    Danny Cerqueda on Life Beyond Mystery Baskets

    [Between now and the Bocuse d'Or USA finals this Saturday, February 6, Toqueland will profile as many of the finalists as possible.]

    Danny Cerqueda (photo courtesy Catherine Kelly)

    The first time Danny Cerqueda, executive sous chef of Carolina Country Club in Raleigh, North Carolina, competed in a culinary contest was in 2003, in the La Chaîne des Rôtisseurs’ young commis competition—a regional showdown in which the candidates are presented a mystery basket (unannounced selection of ingredients from which they have to cook) and have to fashion a three-course meal, with four portions for each course.

    “I did horribly,” Cerqueda recalls.  “I thought I knew what I was doing and I think I came in last place.”

    Cerqueda picked himself up off the canvas and jumped right back in the next year, training for and winning the regional event, then placing fourth at the national contest. He went back again in 2006, posting the same results.

    The experience lit a competitive fire under Cerqueda, who participates in one or two culinary competitions per year, mostly in events organized by the ACF (American Culinary Federation).  In many ways, the 29-year-old Atlanta native is the quintessential American competition cook:  He hails from a country club (historically, most of our Bocuse d’Or and International Culinary Olympics competitors have come from private clubs or culinary schools), and finds great value beyond the competition itself.

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    Published in Bocuse d'Or, Chef Profiles

    Philadelphia’s Jim Burke Embraces the Pressure

    [Between now and the Bocuse d’Or USA finals this Saturday, February 6, Toqueland will profile as many of the finalists as possible.]

    Jim Burke, with his back against the wall.

    Jim Burke, of Philadelphia’s James restaurant, was so busy with the holiday crush at work, that he didn’t even notice when the finalists for the Bocuse d’Or USA were announced in early December, and his name wasn’t on the list.  He found out he hadn’t made the cut when he got a call from a member of the organizing staff, shortly before Christmas, asking him if the Bocuse d’Or USA Committee could re-review his application because somebody had dropped out and they needed to fill the slot.

    Burke said “yes,” and got right back to work.  He didn’t discover until mid-January that it was Kevin Gillespie, of Top Chef fame, who had withdrawn.  But it didn’t really matter, because Burke was already making up for lost time, preparing for battle himself.

    So just who is this mystery man who was handed a belated shot at Bocuse d’Or glory?

    Burke is the chef-owner of James in Philadelphia, Pennsylvania, who began his career at The Marker at the Adams Mark Hotel and spent two years at Vetri, considered by many to be one of the two or three best Italian restaurants in the country.  Taken with Italian cuisine, he traveled to the small town of Alme, outside Bergamo, where he worked for Paolo Frosio at the Michelin-starred Ristorante Frosio, then spent more than a year working in restaurants and vineyards to further his intuitive feel for Italian food.  Back in the States, he became executive chef of Vivo Enoteca in Wayne, Pennsylvania, and then of Angelina, a Stephen Starr restaurant in downtown Philadelphia.  Today, Burke is executive chef of his James restaurant in Philly, where he serves what he describes as “modern American cuisine with Northern Italian influences.”  He owns and operates the restaurant with his wife, general manager Kristina Burke.  The restaurant has been well received locally, and in 2008, Burke received one of the best feathers a young chef can have tucked in his toque when he was named a Food & Wine Best New Chef.

    Burke has never participated in a culinary competition before, but was a jock in high school, playing basketball, baseball, and football.  He had always been vaguely interested in the Bocuse d’Or, having seen “random TV shows” about it and being drawn to the “hoopla” that surrounds it.  Like many of those who have applied since 2008, Burke was inspired to actually apply by the new Bocuse d’Or USA guard of Daniel Boulud, Thomas Keller, and Jerome Bocuse.  “The caliber of chef involved was irresistible,” he says.  “Thomas Keller.  Daniel Boulud.  When they get behind something it changes the attitude of a lot of cooks.”

    Although Burke got a late start in his preparation, he also got lucky in finding a commis. When approached about being re-considered, Burke mentioned to Alison Buckley, director of competition and events for the Bocuse d’Or USA, that his only concern was finding an assistant in time.  Before he knew it, Buckley had reached out to the CIA, who sent a student his way:  Simon Solis-Cohen, who is from Philadelphia and had eaten at James.  The two met the next day and Solis-Cohen was in, arranging for a three week leave from school.  (By the time we spoke in mid January, Burke said that Solis-Cohen was back in Philly full time and that they would be practicing every day until they left for Hyde Park.)

    Burke seems remarkably unfazed by the short time frame he’s on.  “I know it’s incredibly rigorous and intense and I want to challenge myself,” he says. “You don’t know what you’re capable of until you put yourself against the wall.”  The only intimating element for him is the people who will be watching him perform under pressure:

    “I’ve done plenty of cooking demos and little talks, but mostly they were in front of housewives…not Thomas Keller.  Not Daniel Boulud.  Not potentially Paul Bocuse.”

    To prepare himself, Burke spent time on the Bocuse d’Or USA website, and also on the French mothership’s site, “trying to see the style of the platters and get a feel for what the competition will be like.”  But he acknowledges that visualization will only take him so far.  “Anything I find out now will be nothing like when it’s in my face.”

    Despite the short notice, Burke has prepared what he calls an “ambitious” menu.  Unsurprisingly, he and Solis-Cohen hadn’t done any timed trials by the time we spoke in mid-January.  But he was optimistic that would change before the competition in Hyde Park and that they’d get a few full run-throughs in.

    Although he was the last chef to start prepping, he’d happily be the first one to present.  “The Saturday teams starts at 6 a.m.,” he says.  “Much as I hate getting up early, I wouldn’t mind going first, getting done, letting everyone else worry about it.”

    - Andrew

    Published in Bocuse d'Or, Chef Profiles

    Jeremie Tomczak Is Learning Plenty Every Day
    [Between now and the Bocuse d’Or USA finals this Saturday, February 6, Toqueland will profile as many of the finalists as possible.]

    There Is No Finish Line: Jeremie Tomczak (photo courtesy Jeremie Tomczak)


    Jeremie Tomczak, Executive Chef, Event Operations, at the French Culinary Institute, first began thinking about applying for the Bocuse d’Or USA in the summer of 2008, when he witnessed his colleague, FCI instructor Rogers Powell, training for the US team selection event held at Epcot Center in Orlando that year.

    “It was pretty cool that he was so dedicated to it, and putting in this time,” recalls Tomczak. “You can see the contestants learning.  When you put that level of commitment in, you probably get more out of it in one day that you normally would in a week.  That’s why I got into this field.  Because you never stop learning.  You never get bored.”

    Tomczak, 33, grew up in Wisconsin and has always been around the restaurant business in some way or another.  He didn’t know he’d make it his career, or move to New York City, until he attended cooking school in Madison.  One of his instructors was from New York and had worked at Picholine.  The teacher arranged a trip for 15 students to Manhattan and it was a revelatory jaunt for young Tomczak.

    “We just went to a whole bunch of restaurants—Picholine, Windows on the World,” he remembers today.  Of the dear, departed Windows, he says:  “I’ll never forget it, just being in up in that space, seeing the whole city.  It had a big impact on me as to where I had to go next.  Automatically, I said, ‘I’m moving to New York City.’”

    After he finished school, Tomczak externed for Laurent Tourondel at his since shuttered jewel box, Cello, on the Upper East Side.  Tourondel offered him a job, but Tomczak couldn’t afford to stay in Manhattan just yet.  He returned home to Wisconsin and an old part-time job with UPS, while also working at Nadia’s restaurant in Madison.  Eventually, he socked away enough dough to move back to New York City in 2002, but didn’t have a game plan.  He showed up with a backpack and checked into a hostel, but couldn’t land a job.  As the last of his dollars was draining from his back account, he scored an interview with Aquavit’s Marcus Samuelsson.

    “If I don’t get this job, I’m going to move back to Wisconsin,” he told the chef.

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    Published in Bocuse d'Or, Chef Profiles

    John Rellah, Jr. Will Be Following His Own Vision This Weekend

    [Between now and the Bocuse d'Or USA finals this Saturday, February 6, Toqueland will profile as many of the finalists as possible.]

    Going Back to Basics: John Rellah, Jr.

    In September 2008, John Rellah, Jr. drove himself and his cooking equipment all the way down from the Tri-State area to Orlando, Florida, to compete in the Bocuse d’Or USA team selection event at Epcot.

    The drive down was fine—Rellah had cooked for some of the best chefs in the country, like Gray Kunz at Lespinasse, and had been an executive chef in his own right for years, and was full of optimism.  But after failing to win, place, or show, or even to nab one of the booby prizes like best meat or best fish in Orlando, his drive home was a long, solemn affair, and his thoughts were consumed with what had gone wrong.

    The thing that nagged at him the most was the feeling he’d been given bad direction by some of the Bocuse d’Or USA advisors, who urged the finalists to “cook American.”  Personally, Rellah didn’t believe that was a solid foundation for success in Lyon, at least not based on his own research, and that it was a bad way to go in Orlando. “I don’t think [chef and Bocuse d’Or judge] Philippe Rochat wants to taste maple syrup,” he said at the time.  But he went with the suggested plan of attack, preparing an American themed menu, and as he autopsied his loss, he thought that had a lot to do with what went wrong.

    On that same drive, he decided he wanted to try again, and that he would stick to his own instincts the next time and present what he thought would do well in Europe.  By the time he pulled up in the driveway of his home, where he lives with his wife and two young children, he already had ideas for what he wanted to cook in 2010, if he made the cut and was selected as a finalist again.

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    Published in Bocuse d'Or, Chef Profiles

    Twelve Years After His First Bocuse d’Or USA, Christopher Parsons is Back

     

    [Between now and the Bocuse d'Or USA finals this Saturday, February 6, Toqueland will profile as many of the finalists as possible.]

     

    Christopher Parsons in the Kitchen at Catch (photo by Roger Galburt)

    For a sense of how much the Bocuse d’Or USA has changed over the years, look no further than the case of Christopher Parsons, executive chef of Catch restaurant in Winchester, Massachusetts, who will be competing this weekend at the Bocuse d’Or USA finals at the Culinary Institute of America (CIA) in Hyde Park, New York.

    Parsons competed in the Bocuse d’Or USA once before, at the regional semifinals at the CIA in St. Helena, California, in 1998, when Parsons was in his late 20s.  Back then, the Bocuse d’Or USA was much less well-funded than it is today, and candidates had to finance their own travel to the contest.  Parsons, then working at Arizona 206 in midtown Manhattan, was short on funds, so his dad pitched in, buying the young cook a plane ticket with his frequent flyer miles.  His father also made a much larger contribution to the effort: although commis (assistants) must be no older than 22 in the international competition in Lyon, there was no age limitation for the USA event at the time.  So Parsons bought Dad a chef’s coat and deputized him.

    “He’s a [surgeon],” remembers Parsons.  “So I had him do all the butchering.”

    This time around, the choice of commis was anything but a last-second decision.  Parsons had always wanted to go back to the Bocuse d’Or USA, but his schedule didn’t align well with the biennial team trials.  Now that he has his own restaurant—with all the support that provides—and is still, by his self-evaluation, young enough (39) to cook fast, he thought perhaps the time was right.  The only impediment was identifying a wingman.

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    Published in Bocuse d'Or, Chef Profiles

    Replaced with Jim Burke of James Restaurant in Philadelphia?

    I was making a routine visit to the Bocuse d’Or USA website and noticed that while there are still a dozen candidates listed there, Kevin Gillespie, the recent Top Chef finalist who won his berth in the US finals on the show, has disappeared from the list while Jim Burke, executive chef/owner of James restaurant in Philadelphia–who was not on the original roster–has been added.  I’ve confirmed with a rep for the Bocuse d’Or USA that GIllespie is out, but am awaiting further details.

    To be honest — although I have no idea what the circumstances are yet — I don’t find this to be terribly shocking news as I always wondered how Gillespie, who basically had to earn his spot to avoid elimination in another contest, was going to find the time and motivation to properly compete at this event.  If he dropped out to make room for a more Bocuse-passionate candidate, it might have actually been a noble gesture, as strange as that may sound.

    Update (1:03 pm/Jan 22) – A rep for the Bocuse d’Or USA committee says that Gillespie withdrew due to a conflict with Bravo.  (Obviously Bravo airs Top Chef, on which Gillespie won the spot, but the rep says it’s a matter of a time conflict. No further comment/information was offered.)

    Update #2 (1:20pm)  Gillespie’s spokesperson Melissa Libby just got in touch to give me the story from Gillespie.  “You are one-hundred-percent correct in your suspicion,” she said of my theory for the withdrawl (above).  “He didn’t have time to prepare, and didn’t want to let the country down.  He felt like there was somebody else who deserved that spot. He’s a perfectionist and didn’t feel like he could do his best with everything going on.”  Libby says that Gillespie wrote to the committee, who were gracious, and even offered to let him defer his place until 2013 [by which she meant the 2013 competition in Lyon, the US trials for which would be in 2012].  So will he take them up on the offer, or defer again?  “Absolutely [he'll compete in 2012]!” said Libby.  “He wants to do this.  It’s a huge goal of his.  But he didn’t want to go in unprepared.”

    - Andrew


    Published in Bocuse d'Or

    Luke Bergman Just Wants to Put a Smile on the Judges’ Faces

    [Between now and the Bocuse d'Or USA team-selection finals on February 6, Toqueland will profile as many of the finalists as possible.]

     

    Luke Bergman ... doing what he loves most.(photo courtesy Luke Bergman)

    There’s no shortage of chefs who began cooking in their family’s home, but there aren’t many who started for reasons as downright noble as those that first pulled The Modern’s Luke Bergman into the kitchen.  The Ft. Lauderdale, Florida, native has two younger brothers, one of whom was born with Down’s Syndrome.  To help his single, working mother pick up the slack around the house, he learned how to cook for the family.  “The day I turned sixteen,” Bergman recounts today, “I had my car, had a credit card to go to grocery store, and right away I was shopping for whole family.”

    Though it was pragmatism that motivated him initially, Bergman wasn’t lacking for kitchen mentors.  His mother was a good cook, and as a young boy he studied her moves around the stovetop.  His grandmother was a culinary Francophile who would go Gallic when she visited from Washington, DC, and he fondly remembers thir housekeeper, Dorris Williams, a Jamaican who schooled him in the flavors and techniques of her homeland, such as how to make jerked meats.

    Bergman wasn’t terribly interested in college.  After winning a contest sponsored by the Art Institute of Ft. Lauderdale, he matriculated there.  He attended for four months, while working at La Veranda restaurant in Pompano Beach full time.  His home schooling had served him well–he liked his work more than his classes, but didn’t immediately think to become a chef.  (He remembers watching Food Network personalities like Emeril Lagasse, but “nobody knew it was going to be as big as it is now.”)

    During a family vacation in Colorado, Bergman’s mother picked up an air of malaise about her son.

    “What’s wrong?” she asked.

    “Mom, I love cooking,” he told her.  “I didn’t know I was going to like it so much.”  He felt he was learning more at La Veranda than he was in school.

    “I want to go to the best cooking school in America,” he told her, referring to the Culinary Institute of America.  (Telling the story today, he says that he “had a vision that I needed to go there.”)  She was fully supportive and when they got back to Florida, he withdrew from the Art Institute.  His mother brought him up to New York City and then up to Hyde Park.  A month later, he was enrolled.  “Then it was on,” he says.

     

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    Eleven Madison Park’s James Kent On the Value of Preparing for the Bocuse d’Or

    [Between now and the Bocuse d'Or USA team-selection finals on February 6, Toqueland will profile as many of the twelve candidates as possible.]

      

    A Process of Self-Discovery: James Kent in the Kitchen (photo courtesy James Kent)

    I don’t have hard numbers to back this up, but I feel confident stating, based on the research for my book Knives at Dawn, that most of the candidates who compete in the Bocuse d’Or are sous chefs. There are good reasons for this: prep and line cooks don’t have the experience or sense of culinary self to head up a team (they are appropriately chosen as the commis, or assistant), while full-fledged chefs and executive chefs, generally speaking, can’t be spared for the time it takes to prepare and train for the Big Event in Lyon.  (This isn’t always the case; there are a few bona fide exec chefs in the mix for Hyde Park, such as John Rellah, Andrew WeissPercy Whatley, and Michael Clauss, executive chef of The Daily Planet in Vermont, whom I just interviewed the other day for an upcoming profile.)

    Sous chefs occupy a curious position in the professional pecking order.  Many of them have the managerial and expediting chops to be chefs–they do, after all, run kitchens during service–but their own style isn’t necessarily formed to the point that they are ready to essay their own menus.  Generally speaking, that’s because the food they put out–often for years at a time–is somebody else’s.  Even the specials they might devise have to hew to the style of the guy or gal they work for, or else the menu won’t fully gel.

    James Kent, a sous chef at Eleven Madison Park, is learning what many past Bocuse d’Or candidates have learned–that the Bocuse d’Or offers a valuable exercise in determining where their chef ends and they begin.  For whatever the reason, observers of the Bocuse d’Or will tell you that if you don’t cook from the heart in the competition, then your food will suffer.  Accordingly, chef-candidates aren’t generally sent into battle with instructions to simply execute food conceived by, say, Daniel Humm, who happens to be a Bocuse d’Or USA advisory board member and Kent’s chef at EMP.

    And so, on New Year’s Day, when Kent cooked the working draft of his Bocuse d’Or USA menu for Humm (for whom he’s worked for three years) for the first time, it was a Big Moment.  “This is Chef’s restaurant, and this is Chef’s food,” says Kent of the dynamic most days at EMP.  “All of us have our say, but ultimately he’s the one who likes it, or changes it.”

    Not so on January 1st. 

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    Andrew Weiss Likes Flying Under the Radar

     

    [Between now and the Bocuse d’Or USA team-selection finals on February 6, 2010, Toqueland will profile as many of the twelve candidates as possible.]

     

    Nothing to Lose: Andrew Weiss is Ready for His Second Bocuse d'Or USA. (photo Courtesy Stacey Weiss)

    A few weeks back, when the Bocuse d’Or USA committee announced a dozen finalists for the upcoming team-selection event at the Culinary Institute of America in Hyde Park, NY, I found myself Googling around frantically for something, anything, about Andrew Weiss, the Las Vegas resident who had made the cut.  I came up empty, and the post I threw up that day featured an apology to Weiss for the complete lack of intel on him. 

    Well, Weiss and I caught up by phone the other day, and it turns out that he has been down the Bocuse d’Or road before: he was a semifinalist for the Bocuse d’Or USA in 2006, and applied but was not chosen for, the 2008 competition at Epcot—the first time the event was staged under the auspices of the new guard of Daniel Boulud, Thomas Keller, and Jerome Bocuse.  (Counting Weiss, about half of the field of Hyde Park finalists has competed—either as chef or commis—in a previous Bocuse d’Or USA, which is intriguing.)

    There’s no point beating around the bush: If you judge chefs by their resumes and current place of employment, Weiss is a decided underdog, an unknown 28-year old native of Amherst, NY, who studied food service management instead of the culinary arts, whose first restaurant job was in a Wendy’s, and who’s spent much of his formative cooking years knocking around from one job to another along the East Coast, essentially learning on the job. 

    But what Weiss lacks in Michelin-star credentials, he more than makes up for in chutzpa, determination, and success.  At just 28, he has owned and run his own catering company, overseen a $3 million restaurant, and staged with Charlie Trotter, as well as with Daniel Scannell, a Certified Master Chef and culinary competition veteran who designed the platters for Team USA 2009 and has competed in the International Culinary Olympics. 

    I really enjoyed my chat with Weiss because I quickly got the impression that he was something of a maverick.  I hope if he’s reading this that he’ll take it as a compliment that he reminded me more of the cooks I’ve known than the chefs.  Part of this was his relative youth.  But more than that, he just seemed like a hardcore whisk to me, somebody who loves being in the weeds on a Saturday night and living to tell the tale.  He also boasts a cook’s unmistakable sense of humor; for example, he describes the first restaurant where he worked as an executive chef, Gadsby’s Tavern, as “a historical building in Alexandria, Virginia, where George Washington and his cronies had dinner.”  George Washington and his cronies?  I can just hear the kitchen crew breaking up over that one as the front of the house gang somberly described the eatery’s heritage to the touristas in the dining room.

    Three weeks ago, Weiss took on his latest job, as executive chef of The Lake Club at Lake Las Vegas, a private social club comprising about 255 members, many of whom don’t actually live in Vegas.  So, despite having a new clientele to please, Weiss has the necessary time to plan for Hyde Park.

    Weiss first became interested in the Bocuse d’Or when he saw one of Canadian Nick Versteeg’s documentaries about the competition on Food Network.  It appealed to what he describes as his perpetual hunt for “the next adventure.  I don’t like to stop… I like to push myself, see what I can truly do with food.  I don’t like to settle. I try to push the boundaries, try something … that most chefs are too busy or afraid to try.”

    Since 2006, Weiss has been lying in the tall grass waiting for his next crack at Bocuse d’Or glory: he has been keeping notes and renderings of ideas, garnishes, and other preparations, both on his computer or in a notebook.   And he’ll take inspiration wherever he can find it; he’s even scribbled down concepts he’s seen on billboards.  As of last week, he was still tweaking one garnish for his salmon platter and one for his lamb, but otherwise had his recipes locked and loaded and was shopping for suitable platters to display his creations come February.

    For whatever the reason, Weiss has decided to cut his own idiosyncratic path through the culinary jungle.  He hasn’t gravitated toward the same kitchens that his peers would kill to get into, and he seems to relish his outsider status.  Of the coming challenge in Hyde Park, where he’ll cook against sous chefs from Eleven Madison Park, The Modern, Charlie Trotter, and other top kitchens, he said that he wants to “prove I belong in the same realm as the other chefs competeing, that I can hang with the big dogs.”

    I’d never heard a chef use the phrase “hang with” before, but it comes up a lot in the other world I write about:  tennis.  Young players who find themselves on a court with a top player for the first time use it to describe whether or not they can keep up.  For example:  “I got to hit with Roger Federer the other day.  I was able to hang with him, but I always knew he had another gear where he could just put me away.”

    I asked Weiss about this and, sure enough, he played high school tennis.  He started at a late age (around 12 or 13) and went up against some of the Mid Atlantic’s top juniors.  “I held my own,” he says proudly.  “I competed well with these tennis prodigies.” 

    It’s the same pride that motivates him to go up against the thoroughbreds who he’ll be facing in Hyde Park:  “Of course I see myself as an underdog,” he says.  “Daniel Humm’s [sous chef], the Gabriel Kreuther guy, Trotter’s …they have the availability to get these great ingredients, to have these restaurants lend their equipment, to give them a leg up over everybody else.  I’m in a small kitchen.  I have to go purchase my own items. I am an underdog.  It motivates me to show up everybody else, to show that a little guy from a little club [can make it there]…”

    The Bocuse d’Or is one part cooking and one part sports, and by the time we were done talking, I saw Weiss as the classic sports protagonist: the Bocuse d’Or USA’s own Rocky Balboa.  I’ve never tasted the man’s food, so don’t know if he has the goods.  But it’s no small thing for an unknown from Vegas to step into the ring with fine dining’s Apollo Creeds.  In many ways, he’ll be attempting the same brand of improbable victory in Hyde Park that Team USA tries to pull off in Lyon every other year. 

    Of course, that larger triumph has not yet come to pass.  But for Team USA, as for a young, unheralded chef from Las Vegas, hope springs eternal…

    -Andrew

     

    Published in Bocuse d'Or, Chef Profiles
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